The pupils will mark their fingerprints every time they go to church over three years and if they attend 200 masses they will be freed from the obligation of having to pass an exam prior to their confirmation, the paper said.

The pupils in the southern town of Gryfow Slaski told the daily they liked the idea and also the priest, Grzegorz Sowa, who invented it.

“This is comfortable. We don’t have to stand in a line to get the priest’s signature (confirming our presence at the mass) in our confirmation notebooks,” said one pupil, who gave her name as Karolina.

Poland is perhaps the most devoutly Roman Catholic country in Europe today and churches are regularly packed on Sundays.

(Reporting by Kuba Jaworowski, editing by Paul Casciato)

Authorities said Kuykendall bought the car after it sat for more than three years in an impound yard after being towed by Fulton County police in 2006.

Authorities said he was fixing a gas leak when he discovered the secret compartment.

Cherokee officials have called the U.S. Secret Service to help with the case.

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Information from: The Atlanta Journal-Constitution, http://www.ajc.com

“I’ve just been told something I didn’t know; that eating pork improves your sex life … I’d say it’s a lot nicer to eat a bit of grilled pork than take Viagra,” President Cristina Fernandez said to leaders of the pig farming industry.

She said she recently ate pork and “things went very well that weekend, so it could well be true.”

Argentines are the world’s biggest per capita consumers of beef, but the government has sought to promote pork as an alternative in recent years due to rising steak prices and as a way to diversify the meat industry.

“Trying it doesn’t cost anything, so let’s give it a go,” Fernandez said in the televised speech.

(Reporting by Karina Grazina; Writing by Helen Popper)

The local “Miss Venezuela” organization — which has landed the South American nation more international pageant titles than any other country — announced on Wednesday it had slashed the number of national competitors to 20 from 30.

“We have had to tighten our belt a bit too,” said Joaquin Riviera, organizer of the annual Miss Venezuela competition, which is wildly popular and draws huge TV audiences.

The next national winner will be chosen on September 24.

“I’ve asked Osmel to be a bit stricter choosing 20 girls, so we only have the best,” Riviera added, referring to local beauty “czar” Osmel Sousa, who prepares the competitors.

Sousa denied the cuts, however, would mean fewer dresses or less plastic surgery for girls competing. Venezuela has one of the highest rates of cosmetic surgery in the world.

Venezuela’s Stefania Fernandez, an 18-year-old brunette, won the Miss Universe 2009 title last month in the Bahamas, giving her country its second win in a row and its sixth in that pageant’s history.

(Reporting by Fabian Andres Cambero; Writing by Andrew Cawthorne; Editing by Eric Beech)

Bishop Artemije, in charge of the Rasko-Prizrenska diocese, said he ordered an inquiry into the activities of priest Branislav Peranovic at the Crna Reka center, about 300 kilometers (187 miles) southwest of the capital Belgrade.

“We will shut down the facility if the reports about beatings and violence persist,” Artemije said in a statement.

The bishop said he decided against closing it “after numerous pleadings by the patients and their parents.”

“We are also asking state authorities to investigate the matter and punish those responsible,” the statement said.

Last week, the Holy Synod, the church’s top body, asked Artemije to shut down the center that houses about 200 patients near the southwestern city of Novi Pazar.

Two separate videos made public by Belgrade’s Vreme weekly and B92 TV showed one of the centre’s employees and Peranovic repeatedly beating patients with a shovel, and kicking and hitting them inside a room decorated with icons.

The government’s human rights watchdog Sasa Jankovic has filed criminal charges against the center and Peranovic.

This week Serbian health authorities said the Crna Reka center was not registered to undertake drug rehabilitation.

Peranovic told B92 TV the beatings were a “hard and unwanted, but necessary part of treatment.”

He said that on admission, patients and their parents had to sign a written consent approving the use of violence “for therapeutic purposes.”

(Reporting by Aleksandar Vasovic; Editing by Robert Woodward)

The New Year’s Eve “Bye Bye” comedy program — shown by the French-language Radio Canada network — generated more than 200 complaints. In one segment, two hosts discussed Obama’s election in November 2008. Obama, who took office in January, is the first black U.S. president.

“We’re not racists. It will be good to have a Negro in the White House. It will be practical. Black on white, it will be easier to shoot him,” one of the show’s hosts remarked.

The Canadian Broadcasting Standards Council said it found “nothing redeeming in the allegedly comedic notion that an American president should be shot, still less that this would be easier to achieve because of the color of the president’s skin. It was a disturbing, wounding, abusive racial comment.”

The show also featured an interview with an actor pretending to be Obama. The host said, “The blacks, you all look alike,” and then warned viewers to hide their purses.

The council said the comments and sketches breached regulations, adding they went “too far in terms of Canadian broadcast standards.”

The producers of the show denied the skits had been racist, saying they had meant to mock the characters making the offensive remarks.

Complaints about Radio Canada are usually handled by the Canadian Radio-television and Telecommunications Commission (CRTC). In this case the CRTC asked the council — which deals with commercial channels and has more experience in handling such complaints — for advice.

The CRTC, which is due to conduct its own probe into the show, does not have the power to fine Radio-Canada but can issue a public reprimand.

A spokeswoman for the commission said such reprimands could cause problems for networks when it came time for them to seek renewal of their broadcasting license. Radio-Canada is due to apply for a license renewal in 2011.

Polls regularly show that Canadians like Obama far more than they do their own leaders. Tens of thousands turned up to cheer him when he made a brief visit to Ottawa in February. A spokeswoman for the U.S. embassy said she did not know whether the White House had complained about the show.

(Reporting by David Ljunggren; editing by Peter Galloway and Frances Kerry)

To oversee an enhanced security system for the nation’s computer networks, Obama is creating a “cyber czar” as part of a long-awaited plan stemming from a review he ordered shortly after taking office.

On Friday, Obama is expected to lay out broad goals for dealing with cyber threats while depicting the U.S. as a digital nation that needs to provide the education required to keep pace with technology and attract and retain a cyber-savvy work force. He also is expected to call for a new education campaign to raise public awareness of the challenges and threats related to cyber security.

The review, however, will not dictate how the government or private industry should tighten digital defenses. Critics say the cyber czar will not have sufficient budgetary and policy-making authority over securing computer systems and spending.

Officials familiar with the discussions say the cyber czar would be a special assistant to the president and would be supported by a new cyber directorate within the National Security Council. The cyber czar would also work with the National Economic Council, said the officials, who described the plan on condition of anonymity because it has not been publicly released.

The special assistant title is not as high in the White House hierarchy as some officials sought. It would not give the czar direct, unfettered access to the president. Instead, the official would report to senior NSC officials — a situation many say will make it difficult to make major changes within the calcified federal bureaucracy.

Government and military officials have acknowledged that U.S. computer networks are constantly assailed by attacks and scans, ranging from nuisance hacking to more nefarious probes and attacks. Some suggest that the actions at times are a form of cyber espionage from other nations, such as China.

Obama is not expected to announce who will get the job during Friday’s unveiling of the review, according to an administration official who spoke on condition of anonymity because the selection process is ongoing. Other officials close to the issue say a handful of experts — both in and out of government — are under consideration.

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Associated Press writer Ted Bridis contributed to this report.

That was the challenge the production team at Pixar faced when it set out to begin work on “Up,” its tenth feature film, five years in the works, which hits theaters on Friday.

There was absolutely no way the team was going to hand-animate the balloons. Not with their numbers in five-figures, and especially not when you consider that within the cluster, every interaction between two balloons has a ripple effect: If one bumped another, the second would move, likely bumping a third, and so on. And every bit of this would need to be seen on screen.

In “Up,” the story revolves around the main character, 78-year-old Carl Fredricksen, who, frustrated with his mundane life, ties the thousands of balloons to his house and sets off for adventures in South America. A small boy ends up marooned on board, and hilarity ensues.

The cluster of balloons is so central to the film’s branding–it’s called “Up,” after all–that to promote the film, Pixar teamed up with two of the world’s cluster ballooning experts for a nationwide tour involving a real-life flying armchair and dozens of huge, colorful balloons.

“You have a movie that’s about a house that flies, which is a pretty far-fetched idea,” said Steve May, the supervising technical director on “Up.” “We all know, from kids’ parties, how a bunch of balloons behave, so if we could animate balloons in a realistic way, the believability that the house could fly would sell.”

For May, “Up” producer Jonas Rivera, director Pete Docter, and the many others involved in making the film, believability was key, even within the context of a story about a flying house. And while a major part of instilling that believability must come from a well-conceived and executed story and script, the animation is no less responsible for winning over potentially skeptical audiences.

Balloons, the mother of animation invention May said that the animation department at Pixar never even considered hand-animating the balloons. But even standard computer animation wouldn’t be up to the task, because of the N-squared complexity involved in the thousands of interdependent balloons. Instead, the studio’s computer whizzes figured out a way to turn the problem over to a programmed physical simulator, which, employing Newtonian physics, was able to address the animation problem.

“These are relatively simple physical equations, so you program them into the computer and therefore kind of let the computer animate things for you, using those physics,” said May. “So in every frame of the animation, (the computer can) literally compute the forces acting on those balloons, (so) that they’re buoyant, that their strings are attached, that wind is blowing through them. And based on those forces, we can compute how the balloon should move.”

This process is known as procedural animation, and is described by an algorithm or set of equations, and is in stark contrast to what is known as key frame animation, in which the animators explicitly define the movement of an object or objects in every frame.

Procedural animation has been around for some time, but May suggested that even the most difficult uses of it in the past don’t come close to what Pixar had to achieve in “Up.”

Pixar fans may remember the scenes in “Cars” of a stadium full of 300,000 car “fans” cheering on a high-speed race below, each of which was independently animated. That, too, was done with procedural animation, May said, since creating so many cars individually would have been a non-starter. But even that complex computation problem didn’t approach the balloon cluster issue in “Up”: the “Cars” scene involved no interdependent physics.

Getting the simulator humming properly is no easy task, as one might imagine. May said it involves setting rules for how individual objects should behave, giving the computer these initial conditions, and then “let it run.”

Oddly, because the simulator does indeed run with those conditions and rules and the peculiarities of physics, the animators found themselves without precise control of what would happen with the balloons–or other objects in the film animated using these techniques.

“If the (balloon cluster) is moving too slow, we increase the amount of wind, and then run the simulator again,” May said. “Then maybe we turn the wind down. It’s a little fun science experiment where sometimes, hopefully by the end, we’re getting what we want.”

Losing control of balloons Sometimes, given the vagaries of physics and chaos theory, unexpected things happen. The computer team inputs the rules and because some of the initial conditions are random, “you get semi-random results.” One of May’s favorite examples is that early in the film, when the house first is hoisted aloft by the balloons, a small group of the balloons actually broke off of the main cluster.

May said that this breakaway group of balloons is actually visible–albeit very briefly–in “Up.” Eagle-eyed moviegoers can see the escaped balloons in the upper right-hand side of the screen, he said.

“We didn’t mean for that to happen,” he said, “but (we said) ‘It’s cool, let’s keep it.’”

Even being able to make such choices wasn’t possible at the beginning of the film’s production, however. May said Pixar’s physical simulator, an open-source program called ODE, couldn’t initially handle the complexity of modeling the behavior of more than 10,000 balloons.

“We could handle about 500 (balloons), and we knew we needed tens of thousands,” he said. “We knew we needed to develop a new simulator software pipeline…to handle an order of magnitude more complex simulation.”

Of course, at Pixar, adjusting to evolving computer needs on the fly is nothing new. In fact, May said the studio has done so in one form or another on many of its films. For example, he said that when the studio made “Monsters, Inc.,” it had to figure out how to animate the movie’s monsters’ fur. Similarly, when Pixar made “Finding Nemo,” the animators had to figure out how to simulate underwater scenes.

“We had to learn about (how light refracts under water), and murk and how particulates float under water,” May said.

And in “Up,” too, there were additional animation challenges. Among them were figuring out how to animate and render the feathers on Kevin, a bird that is a major character in the film, and how to make the cloth on (main character) Carl’s clothes seem believable.

Carl’s threads were “the hardest clothing we’ve ever had to animate here,” said May, “in part because Carl’s a (small) man in an oversized suit. That was another case of (using) the physical simulation, and of setting up rules for how cloth should behave. And the looser the clothing, the more it can behave badly.”

Even Carl himself presented some animation difficulties, May said, because the character’s head is shaped like a cube.

Like many other elements in “Up,” the cube-shape of Carl’s face wasn’t a random whim of the director. Rather, it is a story element: May explained that Carl’s character is based on someone who, as a young man, was vivacious and adventurous. But as he grew older, his small house became more and more surrounded by buildings, and “it’s like his world has compressed him into a square.”

Thus, a cube-like face. But May said animating his facial expressions, which must fit into this cube shape, was complicated. Smiles, for example, had to come up and wrap around his cheek.

Still, for the award-winning filmmakers at Pixar, the goal is to make even the hardest animation problems look simple on the silver screen.

As producer Jonas Rivera put it, “The audience looks at (the balloon cluster) and says, ‘Oh, that’s pretty.’ But they have no idea how much work went into it. We worked on that for over a year. (Then) the kid takes off his hat and runs his fingers through his hair. My mother will never know that took 15 people six weeks.”

Bar owner Mike Morris says Mary Kay Letourneau (leh-TUR’-noh) has served her sentence and it’s OK for the couple to have some fun.

The 47-year-old Letourneau served seven years in prison after pleading guilty in 1997 to raping Vili Fualaau (VEE’-lee foo-ah-LA’-oo), now 26. They met when Fualaau was in second grade and began their affair when he was 12 and she was a 34-year-old married mother of four. They were married in 2005 and have two daughters together.

Morris says Saturday’s event at Fuel Sports Eats & Beats will be their third “Hot for Teacher” night. She greets people and he DJs.

A boss and his secretary who were having an affair saw their romantic tryst interrupted in a wince-inducing manner – after a car crash led her to accidentally bite his penis off.

According to reports in China Press and Sin Chew Daily, the 30-year-old woman was performing oral sex on her boss in a car in a Singapore park, when the car was struck by a reversing van.

The impact caused her to bite the man’s penis off.

ust in case this wasn’t already bad enough for those involved, the incident was observed by a private detective who had been sent by the woman’s husband to catch them out.

He described how, shortly after parking, the car started to ‘shake violently’ – but then was hit by the van. He said that the woman screamed loudly, with her mouth covered in blood.

Helpfully, the investigator called an ambulance to take the man to hospital. His lover followed him there, with part of his penis.

The investigator said he’s never seen an incident like it before.

Source: metro.co.uk